(1606-1669)
Dutch
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Rembrandt van Rijn Christ and the Woman of Samaria: an Arched Print Etching on a golden Japan paper. 1657 (later state dated 1658) Reference: Bartsch 70; Hind 294; Hollstein 70, possibly first or second state of three, before the considerable architectural changes in the left background, before the shadow is burnished from the wall between the two figures, prior to additional shading amd burnishing throughout, before the redating to 1658 and new signature in a different location. |
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Rembrandt van Rijn Abraham Francen, Apothecary Etching and drypoint on yellow Japan paper. c. 1657 160 x 207 mm. 6 3/8 x 8 1/8 in. Reference: Bartsch 273; Hind 291; Hollstein 273, fourth state of ten. |
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Rembrandt van Rijn The Descent from the Cross by Torchlight Etching and drypoint. 1654 208 x 160 mm. 8 3/16 x 6 in. Reference: Bartsch 83; Hind 280; Hollstein 83, only state. |
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Rembrandt van Rijn The Artist's Mother with her hand on her chest: Small Bust Etching. 1631 69 x 52 mm. 2 3/4 x 2 in. Bartsch 349; Hollstein 349, second state of two.
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Rembrandt van Rijn | The Great Jewish Bride Etching, with engraving and drypoint. 1635 219 x 168 mm. 8 5/8 x 6 1/2 in. Bartsch 340; Hind 127; Hollstein 340, fifth state of five.
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Rembrandt van Rijn |
St. Jerome in a Darck Chamber Etching, drypoint and engraving. 1642 150 x 172 mm. 6 x 6 3/4 in. Bartsch 105; Hind 201; Hollstein 105, second state of two. |
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