(1834-1903)
American
[ Click on the image(s) to see more detail ]
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James McNeill Whistler Study: Maud Franklin, Seated Lithotint in brown ink on white wove paper, heightened with brush and white wash around the profile, the roll of hair, and the back of the head. 1878 395 x 262 mm. 15 1/2 x 10 in. Reference: Way 2; Levy 6; Chicago 6, second state of two, hand-worked proof, this impression cited and described, p.58. [ Contact gallery for price ] |
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James McNeill Whistler Elinor Leyland Drypoint in black ink on laid paper. 1873 Reference: Kennedy 109 vii/vii, unique touched proof [ Contact gallery for price ] |
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James McNeill Whistler The Little Mast Drypoint in brown ink on toned laid paper with a large crowned fleur-de-lys watermark. 1879-80 Signed in pencil by Whistler with a large shaded butterfly and "imp." in the lower left margin. Reference: Kennedy 185 i/iv [ Contact gallery for price ] |
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James McNeill Whistler Old Battersea Bridge Etching and Drypoint in black ink on laid fibrous, off-white simili-Japan paper. 1878 Signed in pencil by Whistler with a very large butterfly in the margin lower right and "imp.", followed by Whister's annotation ".x 7" Reference: Kennedy 177 iii/v [ Contact gallery for price ] |
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James McNeill Whistler Two Doorways Etching and drypoint in brown ink on toned laid paper. 1879-80 Signed in pencil by Whistler with a butterfly tab lower left. Signed with a second butterfly verso Reference: Kennedy 109 vii/vii, unique touched proof
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James McNeill Whistler | Chelsea Arts Club (a door opening onto steps down to a garden) Pen and dark brown ink on off-white blothing paper. c. 1888 73 x 121 mm. 2 7/8 x 4 3/4 in.
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James McNeill Whistler | Chelsea Arts Club (a house with veranda and steps leading to a garden) Pen and dark brown ink on off-white blothing paper. c. 1888 73 x 114 mm. 2 7/8 x 4 1/2 in.
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James McNeill Whistler |
Hastings Watercolor on white paper. 1880-81 127 x 216 mm. 5 x 8 1/2 in. [ Contact gallery for price ] |
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